Sitemap - 2024 - Commentary Track

Jerry Seinfeld Must Be Joking

I Love That 'The Fall Guy' Has an Ending

First Five Candidates for May 2024

Steven Soderbergh: From the Ashes of Success

After 'Rebirth'

Snyder without Superheroes

Quentin Tarantino Needs to Quit His 10-Film Cap

'Sasquatch Sunset' and the Limits of Recommendation

'Challengers' Is a True Love Triangle

Alex Garland Has Gone from Thoughtful Questions to Banal Conclusions

5 Questions I Still Have After Seeing 'The First Omen'

Weekend Movies: Damien, Dev, and Democracy

Why 'The Matrix 5' Isn't a Bad Idea

Major Streamers Are All Making the Same Mistake

Choose the Next 'First Five' Subject

The Problem with "Pretentious"

Kathryn Bigelow: Danger Is the Drug

The World Is Big Enough for Two Godzillas

‘Late Night with the Devil’ Finds Fresh Horror in the Tired Exorcism Genre

How to Willfully Misconstrue a Call for Peace

A 'Road House' Distributed Against Itself Cannot Stand

A Lack of Compassion

Can We Have New Cult Classics?

Notes on a Successful Oscars

2024 Oscar Predictions

The Distressing Thing about 'Damsel'

The Broken Heart of ‘Dune: Part Two’

The Eyes of Lily Gladstone

Shouldn't 'Ghostbusters' Movies Have Jokes?

After the Fall

Final Fantasies and Hazy Memories

Dismal Projections for Theatrical Distribution

Four Beatles Movies Is Too Much

Sony Pictures Is Stuck in Spider-Man's Web

Live and Learn

Commentary Track Is Now at Beehiiv

Leaving Substack for Beehiiv

Why I'm Grateful for 'Twilight'

Can We Build a Better Internet?

How ‘Night Swim’ Goes from Enjoyably Stupid to Offensively Stupid

Life After Substack